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“GUT-SURFIN’ ATOP MY COLONOSCOPE”: THE MEMOIRS OF A SCATOLOGIST
‘Roses
are red, violets are blue – placentas are both, let us have a stew!’
Impaled is in truth a loathsome and inexcusable crime against all things
decent and moral. That is part of the reason why they are so friggin’
great. Here is an interview with freshman Dr. Jason Kocol, MD., on the
subject of their latest stomach-turning lung-flayer entitled Death After Life. Please resume to consume – and do help yourself
to a handful of those cinnamon-flavoured giblets (sponsored by Raul’s
mom) or some mucus’n’bile popsicles. #
What is so damn attractive about that metal/medical-fusion thing, dude? “Well,
we are really doctors after all,
so it just seems natural to make music about our everyday lives at the
hospital. That’s pretty much all I can say about that.” #
To what extent does Death After Life
introduce something new to the established Impaled sound? “There’s
a lot more beat-boxing on this one compared to the previous releases [laughs].
Nah, seriously, we just went for a lot more organic sound, and then we
also used a lot of different instruments, like for example a real violin,
viola and cello on certain songs. But overall, I think, the record sounds
a lot more organic than most death metal records. It’s not that flat and
compressed.” #
Please give me a spoken autopsy of that Jason character and his inf--- Oh,
wait a minute. That question was in fact meant for one of the other
Impaled members, but let me ask you directly then: Have you brought any
new musical impulses to the band? “Well,
I wrote one song that ended up on the album, and it’s one and two out of
the interlude tracks where we have these clips where we’re actually
talking about operating on people. I did write a bunch of other material
for this album, but since we settled on certain other songs the ones that
I wrote was cut out. As far as influences go, I helped with some of the
harmonies and things like that, but mainly I’ve tried to continue with
what the band was doing and adapt to their sound and at the same time
write stuff in the way that I would write it.” #
How was it to have that Mr. Bungle maniac Trey Spruant produce the album,
and what is your evaluation of the end result if you compare it to Mondo
Medicale? “I
think the record sounds a lot larger. I actually like the sound of Mondo
Medicale a lot, and I was hoping that we would at least have something
that sounded like that or better if possible. And Trey was perfect because
he was really excited about the music. His skills as a producer are just
totally insane, and he’s a perfectionist so it really worked out well.” #
I understand that Death After Life
is in fact a concept album? “Yes,
it’s a concept album of four deranged doctors, namely us, who are doing
experiments on resurrecting the
dead, and we come to discover that… Well, we really don’t know how to
do that. We just fail miserably [laughs]. That happens somewhere in the
middle, towards the end of the album, and then we decide to make a suicide
pact because we’re just total failures at this experiment. But there’s
a little twist at the end. If you listen to the record you’ll figure it
out.” #
Are you way past that faecal attraction from the early days of gore? “We’re
way past singing about it. As far as the attraction goes, it was out first
love so we will always have a soft spot in our hearts for it [laughs].” #
What is your answer to all these hair-splitting assholes who spend their
time clamouring about how much Impaled is a rip-off of the mighty Carcass
when they could instead just crank up the volume on one of your albums and
thrash their living room or sever a vital body part? “I
understand why people say that because there are certain similarities, but
I think it’s mainly because of the content of the lyrics being
medical-themed and so on, and you can say that some of the music sounds
like Carcass as well. So I can agree with it to a certain extent;
especially as far as our early material is concerned. But I think the
latest two albums, Mondo Medicale
and this one, sound a lot different than Carcass, and especially since I
know where some of the influences in some of the songs came from, and it
comes from all across the map in metal music, from a lot different bands
and also from a lot of our own ideas. It’s not all based on what Carcass
have done, and I think it may be a bit too easy to say that.” #
What were you dabbling in before you joined Impaled? “Well,
I’ve been involved in too many musical projects to mention, and there
has not been one particular musical style. I’ve been in jazz bands, in
rock bands, and I’ve played tango music. So what it has meant something
really special for me to join one of my favourite death metal bands. And
that’s true. I was going to Impaled shows back when Leon del Muerte was
in the band because he’s a friend of mine. Joining the band years later
after seeing a bunch of shows has really meant a lot, and they’re really
good guys to work with. I’ve enjoyed being in the band so far and will
continue to do so.”
#
What do you expect a person from the audience to think and feel when
Impaled have churned out that final gore-drenched profanity from the
stage? “We
hope that they feel completely disgusted and ashamed for witnessing such a
horrible act [laughs]. In all sincerity we really hope that they all
enjoyed it, and that they not only enjoyed the music but also the stage
show we put on. Practically, it’s pretty over the top sometimes, and I
just hope that people are able #
What stage antics are mandatory to an Impaled live show, and will the Death
After Life tour introduce some new visual features? “What
always seems to happen for some reason is that we come up with this
concoction, which was developed by Sean and which is a combination of the
SARS virus, the AIDS virus and the #
Why is Impaled a much better band than Exhumed? “Why
we are much better?! [laughs]. Eh. Well. Are we? [laughs again]. That’s
a really good question.” #
Quite a few people like to compare the two bands to each other… “Right.
At one point it was very easy to see why there are similarities in that we
were actually sharing a member when Ross Sewage, and
Leon del Muerte actually, were members of both Impaled and Exhumed. Again,
I would say that if you listen to the music you will find that there is a
lot of difference between the two. There are still some of the same themes,
but I would say that there are definitely differences musically. But, you
know, both bands come from the same area or from neighbouring cities at
least.” #
Let’s talk a little bit about the Impaled website. Is the following
quote from Raul’s mom authentic: ‘Yes, Impaled is very good. Now
finish the laundry’? “Oh,
I’m sure it is. She’s always asking him to do his laundry. Once I saw
that: ‘Ah yeah, that’s got to be Raul’s mom.’ [laughs].” #
All right, then I have another question for you: What the hell is up with
the ‘Hard Assed Nintendo Remix’ of the track “Dead Inside”? “Well,
there’s a tablature program out there where you just enter in the notes,
and we thought that maybe people wanted to learn how to play our songs.
Sean had tabbed out “Dead Inside”, and when you listen to it backwards
it just ends up like that on the midi-file. We liked the way it ended up
sounding and we decided to put it on the website. It’s pretty neat to
listen to that piece of music recreated merely by a computer.” #
And where can I buy a hint book to the Impaled video game? “[long
pause] Is there one?! Well, actually, I think we’re going to release a
130-page hint book sometime in the fall, so you might be able to pick that
one up [laughs]. Because the game is so complicated and there are so many
levels. It needs about 130 pages to be solved.” #
Was it a fan who created it? “Yeah,
that’s exactly right. It was a fan who made it, and I believe he made it
as a final project, probably for some computer/science or computing course
that he had to take. But, you know, while we really love the game, we feel
bad if he failed the project because of the content [laughs]. I think it
looks great, but I don’t know what a professor would think if he saw
something based on us [laughs again]. That’s bad news already.” #
What is the deal with that secret side project Ghoul? “Hmm,
what do you mean ‘side project’? Ghouls live in Creepsylvania; they
are actual people! That’s about all I can say about that…” #
Mum’s the word! On a slightly different note, there has been some talk
about Sean McGrath teaming up with former Sacrilege B.C. guitarist Sean
Smithson and former Machine Head (etc.) drummer Chris Kontos in an as of
yet unnamed constellation. Any news on that and the musical direction of
the outfit? “Yes,
I believe they’re moving in a direction that is no longer involving Sean
McGrath [laughs]. That’s actually true as of recently. I don’t really
know what they’re doing. Well, I did know a little bit about it when he
was still playing with them, but I don’t think that’s the case any
longer. I’m sure they’re going to move on and figure out something. #
Is it a conscious move for Impaled to have that tongue-in-cheek approach
to all that surrounds the music, or is it rather the case that you would
love to indulge in socio-political matters, for instance, but simply
cannot because the band is virtually a bunch of sick and perverted
lunatics? “I
think it’s purely calculated. We all do have a very odd sense of humour
that’s simply going to come out in the music – and especially in the
lyrics. It’s mainly in the lyrics that we’re a little bit funny, and
that’s definitely something that takes some thought. But yeah, it does
help that we all have this sort of tongue-in-cheek approach. I mean, come
see us live and you’ll know what I mean. It’s pretty over the top.” #
Speaking of which, what is the deal on the live front in the nearest
future? “Well,
for the next couple of months we’ll be touring the You
all heard him. Now go get infected! Conducted
and written by Misereion.
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