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Axis of
Advance Interview --->>
“We got tired of bleeding hearts
whining that we were some White Power conspiracy. We are now known as a
black metal power conspiracy. Or maybe a black metal – doom – grim – hate
– power conspiracy...?” Blastmasters
Interview --->> “After
I see a nuclear bomb go off, I think about how lucky we are to be alive.
After naming and being in the world’s most evil bands (Diabolic/Unholy
Ghost), I wanted this band name to be different. Blastmasters is my way of
giving back to this world.”
Cannibal Corpse Interview pt 1
--->> “I
know that Cannibal Corpse will not change; and if anything we will only
keep getting heavier. But if the songs keep on getting better, catcher or
more memorable, perhaps, that doesn’t mean we will be trying to hit a
different, more commercial audience. It just happens that our songwriting
gets better.”
Cannibal Corpse Interview pt 2 --->> “Most
of the new bands that are coming out are faster and heavier than the stuff
that was coming out when we started. It seems like all the young kids who
are playing now are really great musicians. They’re not just good;
they’re really great. I look at guys who are like 20 years old playing
amazing death metal, and I think: ‘God, it wasn’t like that when we
started!’. And now it is.”
Cannibal Corpse
--->> “Yes,
there’s humour in it but we’re not looking at it as being humorous. We
can understand we’re people are getting the humour from, but we’re
really trying to be serious about it. Man, it would be a pretty brutal
thing. A rotted body landslide wouldn’t be a funny thing. It wouldn’t
be fun if that happened and someone was involved in that. But again, I can
surely understand where people can find the humour in the stuff that we
do. We’re never intentionally trying to be funny, because we’re not
that kind of a band.”
Cult Of Luna Interview --->> “That
is just the case. People do associate us with bands like Isis, Neurosis
and even Mogwai and Godspeed You! Black Emperor. We don’t really have
problems with that. I mean, those are great bands so to be put together
with them in describing what we do is just fine with us. When people say
that we kind of sound like them we say: ‘Thanks’.”
Downlord
interview
-->> “I use it in
exactly the same way as my other bands; it was both a very easy and
also a rather difficult way of expressing some deep emotions and inner
thoughts, and trying to do it in a way that would maybe make people think
about themselves and how they look at life. Hopefully making things
better.”
Defiled Interview --->>
“Basically,
we didn’t change our direction but rather just progressed further with our
established style. We put other and new elements to the music, and that is
what has brought us to where we are now musically. Following trends is
plainly boring and our primary objective is to create something original.” Deicide
(Latest!)--->>
“Back
in the day, when we were all young, pissed-off and angry young men, doing
what we did, sure, I guess we were definitely hard to deal with sometimes.
I don’t fault anyone on whatever feelings they have on that, but
nowadays we are sort of trying to put that misconception behind us”
Deicide Interview --->>
“Yeah, as I touched upon before people
quickly realise that Jesus is a complete wacko as he comes back into the
world today. So they capture him and put him in a straitjacket, and he is
sitting there, all depressed and crying, and they get their hands on him
again and beat him up. No one gives a fuck about religion.” Detonation interview -->> "As long as there are fans of extreme music we will have a chance to exist. One thing is certain, though: the four of us will continue to make music, in whatever form possible." -->> Koen Diabolic Interview --->> “I
think more people would be much more successful in their lives if they
were just more focused and allowed themselves not to be so intimidated by
obstacles. I mean, life is obviously full of obstacles. Life sucks,
everybody knows that. The only way to make life suck less is to do
whatever you want to do. It’s never going to stop sucking!”
The
Dillinger Escape Plan Interview --->>
“We
didn’t write this album for fans; we wrote it for ourselves. We really
expected a lot of people to not quite get it, and the fact that a lot of
people do seem to be getting it is really amazing for us. Even two days
after the album came out, there were tons of kids in the crowd that knew
every single word to every single song. We were just like: ‘Man, this is
really crazy. Really insane.’ We had no idea what to expect, you know.”
Falkenbach Interview --->>
“This means that everyone who tries to
act in a loyal way cannot listen to it; those who support the stealing of
art, on the other hand, can get this privilege easily. Then again, here
and then you can find dick-heads selling cheap copies of that tape on Ebay
for totally silly prices as original.”
Gorerotted Interview --->>
“We
don’t try and sound like anybody or have a particular influence that we
draw from. I think death metal needs some vocal tomfoolery, and Goreskin
and Mr. Gore are a prime example of how it works well. When I joined the
band, we just wanted to add another edge or backing to the vocals, and I
feel we’ve come out trumps.” Grave interview
-->> "Absolutely.
Tape-trading was so big in those days that everybody, whether we’re
talking magazines, fans or other bands, helped spread our name, and we
appeared on compilation tapes and so on. People heard each other’s stuff
as soon as it was available." Grimfist interview
-->> "But
I think that is what makes Grimfist what it is. It would probably sound
generic and sterile or boring if everyone in the band had the same taste." Hate Eternal interview -->> "A lot of the material that I wrote for Ripping Corpse as well as for Hate Eternal could not have been written for Morbid Angel because Trey is very specific with what he wants. So I was always working very hard, in particular with Domination, to write stuff that would fit into Morbid Angel, but it would always sound different." -->>Eric Rutan Horror Records & Pentagram
Warfare Records interview
-->> "I
do not intend to spread any particular message with the label, I just
release what I think should be released. But of course, I do see my
releases as merciless fists in the faces of all the pathetic labels and
bands around. Death to posers!"
Immolation
interview --->> “We
decided to try something new with this album visually and conceptually,
and since the lyrics were straying slightly from the religious themes we
had done so much in the past, we felt this was the perfect time to try
something new for the cover.” Impaled interview --->> "We all do have a very odd sense of humour that’s simply going to come out in the music – and especially in the lyrics. It’s mainly in the lyrics that we’re a little bit funny, and that’s definitely something that takes some thought. But yeah, it does help that we all have this sort of tongue-in-cheek approach. I mean, come see us live and you’ll know what I mean. It’s pretty over the top." -->> Jason Kocol
Incantation
interview --->> “The
definition is the most extreme, heavy, brutal music ever written. It
doesn’t have to be fast riffs all the time or slow doom riffs all the
time; just heavy as fuck all the time” Internecine
interview --->> “That
is what Internecine is all about: the destruction of both. You can’t
have good without evil and you can’t have evil without good. Most people
overlook that. They’re Satanists but they don’t believe in God. It
just doesn’t make sense.” Into Eternity interview
-->> “Nobody
ever sat me down and told me we can’t combine different styles of metal,
so I had always done that since like 1992 or so. Metal music shouldn’t
have rules.” Marduk interview
-->> “There
are no longer any people who are telling us what are supposed to play to
satisfy them and give them a product that can sell a lot of copies. Just
look at the Celtic Frost album "Cold Lake". That is a perfect
example of what can happen when you succumb to label pressure.”
Monstrosity interview
-->> “There
are a bunch of people who try to incorporate other ideas that are not
necessarily non-metal. It can either work or not work. But it can well end
up becoming too arty or whatever. I’m not into it; it’s not what I’m
listening to, but everybody should do their own thing. If everybody were
playing music like Monstrosity, it would be boring and you wouldn’t want
to listen to it!”
Nasty Savage interview -->> “If
I were in a new young band today without a history of being Nasty Ronnie
from Nasty Savage, but just ‘Average Joe’ coming in with a new band,
then there would be a long road to travel for making it anywhere. It’s a
different market today where bands come and go, and few make it past the
first album before they are gone and forgotten. So it’s a hard market to
break into again, but we have the roots from the eighties to support us.
We were around when the metal scene started with Exodus, Megadeth, Slayer
and Metallica. Nasty Savage was cut in that same category back in the day,
but we lost focus and were gone. But the true metal kids still remember us” Nebelhexe interview
-->> “I
like playing live and sing the songs; that means a lot to me. I enjoy it
more than being in the studio. I want to bring a certain feeling into the
music, and you can maybe do it in the first take, but after that you lose
it. You often have to record the same thing over and over again, and in
the end what you sing about becomes nothing. When you are on stage, it’s
all about the feeling you express in that very moment, and it’s an
honest expression. It’s very hard to find that feeling over and over
again in the studio. But to get back to your question, I think it’s nice
to get it out live and get into the frame of mind again.” Necrophagia interview
-->> “We
will continue to bring new sick, disturbing, dark, appalling and shocking
horror elements to the Necrophagia sound in the future, and we surprise
ourselves with each new album. We will always hang on to the Necrophagia
template but also experiment with implementing as many sick things as
possible to make the music even more unpleasant.”
Nocturnus interview
-->> “Only
if I enjoyed doing it. I won’t play just to make money with this person
or that; I have a great job and I still play the musick that I want
whenever I want to. There is no pressure and I don’t have to play with
people I don’t like if I don’t want to.” Pig
Destroyer interview
-->> “We came up with the name as a joke, and ended up really
using it. It doesn’t have any deep, philosophical meaning to us.
Personally, I don’t give a fuck about cops one way or the other; I just
think it’s a good band name.” Prostitute
Disfigurement interview
-->> "They
can eat my ass for all I care – and they will like it, I’m sure.
Narrow-minded people always spoil the fun. Just have to live with that,
bad as it is." Ribspreader interview -->> "For old-school death metal and all other brutal music I think it’ll be the same as always, though. In a year – or hopefully several years – it’ll sink back into the underground again and then even further ahead it might resurface." -->> Rogga Saturnus Studioreport
-->>
“That is why I think that the new album is more or less
a development of Paradise Belongs To You since that is the
atmosphere we would like to recreate with the more pure doom elements in
the music.”
She Said Destroy Interview --->>
“The
emotional/aggressive part is by far the most important factor. You can
disappear up your own ass with technicality and end up with the most
boring-sounding music ever. There needs to be a lot of emotion behind
making a song if you want it to be any good. I’d rather play two-finger
punk with a fiery heart than do death metal jazz fusion while staring
blankly ahead thinking of nothing.” Soulreaper interview
-->> “We
want to play death metal the way it should sound. Not like people relate
to death metal these days in the sense of In Flames, Dark Tranquillity and
similar bands. The Gothenburg sound, so to speak. That is far from death
metal so we want to say: ‘This is death metal, goddammit!” The Crown interview
-->> “We
have toured with many bands and seen how things work and realised that it
is very unique that we still get along better than ever in the band. I
would of course try to play in other bands if they would want me. But I am
pretty much afraid of that because I would never find this kind of
chemistry, and then it becomes pure work.” The Kovenant interview
-->> “When
we toured with "Animatronic" there was a good deal of places
where they told us we would never be allowed to play there again because I
tore up the Bible and burned it on stage.” Toxic Holocaust
-->> “The
metal music of the 80’s seems more honest, raw and in-your-face. I think
the way many of the bands approached it then was different than now.
Nowadays it seems that too many people are caught up in technical
perfection and pristine recordings.”
Unholy Ghost interview
-->> “Well,
I’m sure everybody knows that we’re Satanists, and we get the question
a lot; what kind of Satanists are you and all that. Unholy Ghost is a
great name and it sounds like it should already have been taken before.
There are so many bands out there, and I was surprised that it hadn’t
been taken up already.”
Unholy Ghost
II interview
-->> "We have lots of killer new riffs,
killer lyrics and more song titles. The new album will be a lot more
brutal and a bit more technical than our debut CD." W.A.S.P. interview
-->>
“I
visited Ground Zero and it felt like I attended some gigantic funeral. It
did not at all seem like I was in New York. The city is usually very noisy
and full of energy, but that place was completely silent. If I closed my
eyes I couldn’t feel the presence of anybody else around me; it was that
silent. The first thing I noticed was the smell. It smelled very acidic
because of all the burned power installations – and it was everywhere.”
Wynjara interview -->>
“We
like a bit of diversity on an album. The only album I ever heard that was
flawless start to finish, being all in the same vein, was obviously Reign in Blood. I have very little patience for a death metal record
that’s the exact same from start to finish, no matter how hard the stuff
is to play. It all just becomes boring after about the third song, so I
was trying to avoid that by including them and to give a little diversity
to the album at the same time.”
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